Bouquet preservation isn’t one process — it is a few different crafts that get lumped under the same umbrella, and pressing and freeze-drying are the two most common. They produce genuinely different results, and which one is right depends on what you actually want on your wall.

Freeze-drying removes moisture from a flower while keeping its three-dimensional shape mostly intact — the result looks closer to the bouquet as it was, often displayed under a glass dome or in a shadow box, still recognisably a bouquet in the round. It requires specialised freeze-drying equipment and tends to come with a higher price point and a different aesthetic — more literal, more sculptural.

Pressing flattens the flower entirely. The result is closer to a botanical illustration or a watercolour than a photograph — flat, painterly, and built for framing rather than display under glass. It is what Infinity Bouquets specialises in, partly because it suits the kind of wall art a pressed piece becomes, and partly because it is simply the craft that was learned and refined here.

Neither is more “correct” than the other — they are just different answers to the same question. If you know you want a flat, framed piece rather than a dimensional one, pressing is the right starting point.